"The Quartet..demonstrated their technical perfection immediately... Above all, their musical insight and the precision of their collaboration made playing of the Ciompi Quartet a truly genuine listening delight."
NEUE OSNABRUCKER ZEITUNG  
Germany, November 5, 2008

* * *

"The Ciompi played Schoenfield's creation as if mesmerized by its expressive urgency. They inhabited the diverse worlds, vividly conveying the subtle details and grand gestures."
CLEVELAND PLAIN DEALER - Donald Rosenberg
November 16, 2005

* * *

"Here the chamber music skills of these musicians became absolutely clear. Together they felt and shaped the ever-changing moods and characters of the work, passing the ball among themselves and inspiring one another with their lively music making." 
NORDWEST-ZEITUNG   
Germany, March 20, 2004

* * *

"Rarely does a concert completely live up to expectations. As it turned out, the string quartet in question... the Ciompi Quartet... was phenomenal. They play with a unanimity of phrasing and attack that is remarkable. Every nuance, every shift in dynamics, had the four playing as one, and the intensity in the finale was thrilling. They are amazing."
GRUNION GAZETTE  
Long Beach, California, April 29, 2004

* * *

"The Ciompi Quartet performed at the Shanghai Conservatory's Heluding concert hall last night. Their music, full of passion, yet with pure and beautiful tone color, intoxicated the listener."
WEN HUI  
Shanghai, December 12, 2003

* * *

"The Ciompi Quartet is from America, but is of international stature. Their understanding of music is entirely European. The four members of the Ciompi were able to render with impeccable precision even the most complex points of the text: beauty in the midst of the storm which in its many manifestations reaches the serenity of art. Technical precision, cleanliness of sound, mastery of the bow."
LA SICILIA   
Italy, April 4, 2003

* * *

 "The Ciompi Quartet never fails to astound, and this program was one of their most inventive yet heard."
THE HERALD-SUN
Durham, NC, November 21, 2002

* * *

"The Ciompi Quartet's polished and elegant Mozart took full advantage of this work's rich involvement of all four instruments in exchanges of graceful curving phrases. The Minuet movement conveyed a microcosm of emotion, from mysterious, hushed drama to fiery energy, with the repetitions of the form executed with significance and logic. First violinist Eric Pritchard offered brilliance without ever crossing to the merely showy."
ARTSPLUS
Boston, August 15, 2002

* * * 

"The Ciompi Quartet's concert Saturday night offered all their well-established attributes: mastery of a range of styles, promotion of new works, and collaboration with other artists."
THE NEWS & OBSERVER
Raleigh, NC,  November 12, 2001

* * *

"What was so touching was that the music came across with no exaggeration, no applied virtuosity, but a real sense of its importance to each of the four players. The musicians were sensitive and alert. The tempos were vital but natural and unforced. The Ciompi Quartet can play Haydn for me any time."
TORONTO GLOBE AND MAIL - Ken Winters
November 6, 2000

* * *

"Violinists Eric Pritchard and Hsiao-mei Ku, violist Jonathan Bagg and cellist Fred Raimi work together with organic ease, interacting as if immersed in casual or heated conversation. They produce warm, clear sonorities that change color or emotional atmosphere as the composer requests...To each piece, the Ciompi applied a spectrum of expressive nuances, judicious pacing and a firm sense of structure...Once the players entered the score's sonic world, no distractions could interrupt the probing artistry. Here was music-making of remarkable poise and control."
CLEVELAND PLAIN DEALER - Donald Rosenberg
November 1, 2000

* * *

"The sound of the strings was one of poised, easy musicianship within a loosened (but never loose) blend that allowed some individuation from each player...The performance was classically proportioned but warm; tempos were moderate and unhurried; and the compositional mechanics were transparently laid out. That is all this piece needs."
THE WASHINGTON POST - Ronald Broun
February 12, 2000

* * *

"The whole evening was a work of art, of technical brilliance, of careful, sensitive ensemble playing."
OSNABRÜCKER ZEITUNG  
Germany, May 10, 1999

* * *

"The result was impressive: perfection, such as we are accustomed to hearing only on mastered recordings, combined with musical spontaneity within the constraints of ensemble playing"

DER RHEINPHALZ  
Germany, May 17, 1999

* * *

"Finally, the exceptional quality of the Ciompi Quartet must be emphasized, the beauty of their sound, and the way they invest themselves completely in the music they play."
LE MONDE  
France, October 1993

* * *

"From beginning to end the playing sounded intelligent and sure, softened at the edges by a full and mellow tone"
THE NEW YORK TIMES  
March 1988

* * *

"The second movement was played with such delicacy that the music seemed more an instantaneous creation of the ensemble's collective mind than a mere interpretation of Mozart's work"
THE CINCINNATI ENQUIRER  
April 11, 1997

* * *

"...a set of superbly articulated and passionate readings..."
THE BIRMINGHAM NEWS  
February 22, 1997

* * *

"...the group plays everything as if its life depends on it..."
THE NEWS AND OBSERVER  
Raleigh, April 14, 1997

* * *

"The Kreutzer Sonata (by Leos Janacek) received an intense performance of quite astonishing power and brilliance that likely ranks among the Ciompi's finest achievements to date."
SPECTATOR MAGAZINE  
Raleigh, April 17, 1997

* * *

"As if by magic, the Ciompi Quartet succeeded in creating a sense of dramatic tension... a powerful performance."
PILZN DAILY PRESS  
Czech Republic, May 10, 1996